Most Popular in:

Research

Email This Item! Print This Item!

Chandler Burr Peeks Behind the Curtain of the Fragrance Industry

Posted: January 2, 2008

page 2 of 4

This is the book the fragrance industry will be talking about. The Perfect Scent: A Year Inside the Perfume Industry in Paris and New York is author Chandler Burr’s alternately passionate, acid, affectionate and fascinating look at the fragrance world on both sides of the Atlantic. Describing it as “virulently insular” and “archaically secretive,” Burr concludes that, “The closest industry to perfume … is Hollywood.”

The Perfect Scent, which praises perfumers while taking executives, marketers and brand owners to task, tracks the creation of two very different scents for very different markets: Hermès’ Un Jardin sur le Nil by in-house perfumer Jean-Claude Ellena; and Lovely, the scent co-created by IFF’s Dominique Ropion, Laurent LeGuernec and Clément Gavarry for Coty’s celebrity partner, Sarah Jessica Parker. The story, which takes place as the fragrance industry faces an identity crisis, contrasts mass-market and luxury fragrance development, highlighting the industry’s growing anxieties regarding profits and secrecy. 

“Between 1997 and 2004,” says Burr, “the value of the world [fragrance] market grew 32.4%, to $25,198,700,000. In 2004 … growth was slowing to a stricken 3.2%.” 

In such an environment, Burr discovers, price pressures have escalated, damaging (in his view) perfumers’ creativity by collapsing the price of perfume formulae. “You used to easily see €230 per kilo, and then €150 per kilo, and now you got €38 to work with? It eliminated half your palette right now, the expensive stuff, the interesting stuff ….” ]\

Burr sees the perfume world’s woes as largely self-inflicted. While the fragrance industry may share Hollywood’s marriage of creativity and commerce—and excess of mediocre launches—it has failed to follow the film industry in “pulling back the curtain” on its creative realities. Just as Hollywood publicizes how its special effects are rendered, Burr argues that honest insights into perfumes and their creators will only reinforce the magic of olfaction, not dilute it. It is, in short, a missed opportunity.